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Whenever a Hollywood biopic goes into production for some musical behemoth or other, and it transpires that the director didn’t secure the rights to said behemoth’s music, one tends to think: game over. Now imagine that the music you failed to get rights for was ...Elvis’s. Disaster, right? Wrong! Sofia Coppola’s Priscilla is pointedly, aggressively not about Elvis. It’s a story about somebody whose own identity became subsumed by Presley’s. And one of Coppola’s great skills is an almost mystical understanding of the power that music brings to cinema. Co-curated by longtime collaborator (and husband) Thomas Mars of the band Phoenix, it kicks off with Alice Coltrane’s heavenly spiritual Going Home, inspired by Dvorak’s New World Symphony, before segueing directly into The Ramones’ schlocky cover of Baby I Love You. Thereafter, the tracks oscillate between heaven (The Righteous Brothers’ [I Love You] For Sentimental Reasons) and melancholy electronic moments, for when Priscilla finds herself down at the end of Lonely Street. This compilation contains multitudes – and that’s all right, mama.